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Quentin Tarantino is prepping for his 9th feature film which will be about the horrific Manson Family murders!
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With great news comes great reading, and this is great fucking news: Quentin Tarantino's next film will explore one of the most infamous murders of all time. Sources tell Variety that Tarantino's upcoming movie, which the filmmaker has already written and will direct, will focus on the Manson family murders. The tragedy occurred on Aug. 8, 1969, when cult leader Charles Manson (an unemployed convict and failed musician) ordered a group of his followers to attack the guests of a house in Los Angeles' Benedict Canyon.
The followers brutally murdered everyone at the home, including actress Sharon Tate, who was eight months pregnant at the time. The focus of the pic is unclear at this time. It's unknown whether the film will be a historical retelling about the events that occurred or if the crime is used as a backdrop for separate, intertwining stories.
🌟The Pursuit Of Happyness🌟Review🌟9.5/10🌟 Directed by Gabriele Muccino Starring: Will Smith, Jaden Smith and Thandie Newton Everyone has that film -- when your feeling down or need some inspiration or just a simple kick up the backside -- that motivates them. Mine has always been The Pursuit of Happyness. The story moves me so much everytime and makes me want to do more and be more. What's yours? I have a feeling when I see Stronger that will be a contender! Jaden Smith is adorable; he delivers an endearing performance as Gardner's son (his best acting performance of his career), Christopher, in what turns out to be a simple, sentimental, but ultimately an inspiring movie. The film deals with the American Dream from a particular perspective, focusing, as the title implies, on the constitutional right to "pursue" your happiness, rather than the right to be happy. In this manner, the movie is able to avoid focusing much on institutional racism and how that...
• Akira, 1988 • 8.5/10 • Katsuhiro Otomo co-wrote the screenplay of Akira and also directed this 1988 adaptation of his much-loved 1980s-era manga (comic book). When it arrived in America, it became a cult classic and introduced our Western audiences to anime, a genre that remains extremely popular to this day. Akira is extraordinarily dense and enormously complicated, and things like story and characters tend to go out the window in favor of cosmic ideas, mysteries, bizarre imagery, and astounding levels of violence. It takes full advantage of the animated medium with its sheer imagination and intensity. Considering I saw this for the first time two days ago, time has not yet dulled the sheer impact of the work, and the level of detail, movement, and fluidity is still highly impressive. It's still essential viewing for anyone who loves anime!
13 Hours is very much business as usual for Bay; a barrage of noisy and largely indistinct action, most notable for an ADHD visual style that marries the silly viewpoint of a supercharged drone like a transformer for example with the editing rhythm of a Slipknot drum solo. I went into the film knowing almost nothing about the September 2012 attack on an American diplomatic compound in Libya and came out pretty much knowing even less. For the most part, Bay seemed to be aiming for the nihilism of Ridley Scott’s Black Hawk Down, which effectively conveyed the chaos of its real-life subject matter. Yet the chaos of 13 Hours has more to do with form than content, leaving you with the impression that it’s not story but Bay’s moviemaking that is just absolutely dire. The director claims that his film “doesn’t get political at all”, concentrating solely on “what happened on the ground”, which you can tell as he completely avoids exploring the realism of a poli...
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